Ancient wall art at Cave at Lascaux, France: Was music used here to soothe the savage breast?
Courtesy Thag the cavemanDo you enjoy hearing your favorite rock group perform their ear-splitting music in a huge cavernous concert arena with flashing colored lights and giant video imagery? Or listening to hymns and spirituals bounce off the vaulted ceiling of a church full of colorful stained-glassed windows and religious icons? Well, I’ve got news for you. It could be you’re attracted to such things by a deep-seated urge to mix echoing music and art; a practice mankind has apparently been doing since the Stone Age. At least according to a new theory coming out of the University of Paris.
Professor Iegor Reznikoff, a specialist in the resonance of building and spaces, theorizes that the most resonant areas of prehistoric-era caves are also the locations where most of the cave wall paintings appear.
Reznikoff stumbled upon the idea by accident.
"The first time I happened to be in a prehistoric cave, I tried the resonance in various parts of the cave, and quickly the question arose: Is there a relation between resonance and locations of the paintings?"
Reznikoff tested his theory inside various well-known French caves where prehistoric art adorned the walls. As he moved about each space, singing and humming, Reznikoff measured where the optimum resonance occurred.
To his surprise, the most resonant areas of each cave were usually spots where most of the cave art was concentrated. And where the resonance was the greatest, the artwork was the densest. In smaller spaces, such as narrow passages between larger cavern rooms where painting would have been difficult, the walls were marked with red lines.
Bear Bone Flute: Neanderthal-aged flute made from bear's femur
Courtesy WikipediaIt occurred to Reznikoff that perhaps a cave’s acoustics was important to prehistoric culture, and may be the reason why primitive musical instruments, such as a Neanderthal flute made out of the femur of a bear, have been found in similar caves.
"The [prehistoric] tribes could make sounds with stones, pieces of wood, different types of drums and so on," Reznikoff says. "Of course the Paleolithic tribes did sing, as do all cultural groups from other regions. That they did so in the caves is shown by my studies. The ritual purpose appears very convincing."
This may explain why the popularity of cavernous concert halls, and large arena music performances, or even subterranean music clubs continue to be popular to this day. Perhaps the ancestral effects of long ago cave rituals still resonate in us.
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